ExtraTERRORestrial Alien Encounter

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The ExtraTERRORestrial Alien Encounter (often abbreviated Alien Encounter) was a "theater-in-the-round" attraction located in the Tomorrowland section of the Magic Kingdom theme park at Walt Disney World Resort. A co-production between Walt Disney Imagineering and Lucasfilm (then separate from The Walt Disney Company), the attraction was a darkly humorous science fiction experience that used binaural sound to achieve many of its effects.

History
In late 1993, Magic Kingdom announced that ExtraTERRORestrial Alien Encounter would be coming to the park.

It opened briefly for previews on December 16, 1994, on the site of the former Mission to Mars attraction, but was ordered closed on January 12, 1995, for retooling by then-Disney CEO Michael Eisner, who deemed it was not intense enough. It opened officially on June 20, 1995, as part of the Magic Kingdom's New Tomorrowland renovation.Upon its opening, some Disney fans praised ExtraTERRORestrial Alien Encounter for its darker tone in contrast to other attractions at Magic Kingdom. Despite this, the attraction was met with largely negative reception from guests, as it was too scary for younger kids. Officials posted warning signs to ban children under 12 from experiencing it, but to no avail. The popularity of the attraction started to dwindle and it was becoming very obsolete.

In 1999, Magic Kingdom announced that ExtraTERRORestrial Alien Encounter would be closing. It was set to be replaced by a new attraction based on the Alien film franchise. The attraction would frighten its last tourists on New Years Eve of 2000, during which a filmed experience was made to sell in various Magic Kingdom gift shops as well as online. The attraction was replaced by Alien: Terror Incarnate, which opened on February 13, 2002 and uses much of the same technology and set pieces from its predecessor.

First preshow area
Guests were ushered into the "Tomorrowland Interplanetary Convention Center" (mentioned as such in the Tomorrowland Transit Authority narration) for a demonstration of new technology from an alien corporation known as X-S Tech. The company's chairman, L.C. Clench (Jeffrey Jones), set the attraction's subtly sinister tone with a pre-show welcome that included his corporate philosophy, "If something can't be done with X-S then it shouldn't be done at all."

Before the start of the pre-show, the television monitors described other events taking place at the Tomorrowland Interplanetary Convention Center, including "The Tomorrowland Chamber of Commerce presents 'X-S Tech'" ("The galaxy's #1 authority in technological innovation invites you to experience its latest achievement"), "Mission to Mars: History or Hoax" (a tribute to the attraction that previously occupied the Alien Encounter's space), "Championship Pet Show" ("because when it comes to your space pet, what goes down must not come up"), and "The Walt Disney Company's Pan Galactic Stock Holders Meeting" (featuring a holographic transmission from "Lunar Disneyland—The Happiest Place Off Earth").

Second pre-show area
Guests proceeded into a second area where they were introduced to an X-S robot known as Simulated Intelligence Robotics, or S.I.R. for short, voiced by Tim Curry (originally called T.O.M. 2000, short for Technobotic Oratorical Mechanism series 2000, and voiced by Phil Hartman). He proceeded to demonstrate the company's "practically painless" teleportation technology using a cute little animatronic alien named Skippy. The creature's charred and disoriented appearance after being teleported a short distance across the room suggested the technology was flawed. While teleporting Skippy back across the room, S.I.R. paused the process, demonstrating how the technology could be used to suspend subjects in teleportation indefinitely.

Main attraction
Finally, guests were seated in harnesses within a circular chamber surrounding an enormous plastic cylinder, the "teleportation tube." Clench and two bumbling X-S Tech employees, Spinlok (Kevin Pollak) and Dr. Femus (Kathy Najimy), communicated "live" from across the galaxy via video screens. Initially, a single guest was to be teleported out of the chamber for a meeting with Clench. Instead, Clench was "seized" by inspiration and decided to have himself teleported into the chamber to meet the entire group.

Clench's impatience and the unexpected change of plans caused the teleportation signal to be diverted through an unknown planet. As a result; a towering, winged and carnivorous alien was beamed into the tube by mistake, as chaos and confusion ensued and the technicians panicked. The creature quickly escaped, however, as intermittent darkness and flashes of light revealed the shattered and empty teleportation tube. A power outage then plunged the chamber into total darkness as guests sat helplessly restrained in their seats. A maintenance worker attempted to restore the power, but was mauled as the alien's shrieks resounded throughout the room and a spray of fluid flew out into the audience hitting the guests' faces. After the spray of fluid, the guests felt their seats rumble and shake as the alien made its way swiftly through the crowd, during which time the guests also felt the "breath" of the alien on the back of their necks and drool dripping from its mouth.

The power finally came back, and with assistance from the two X-S Tech technicians, the ravenous alien was ultimately driven back into the broken teleportation device, but overpowering the tube caused the alien to explode right before the tube closed. Guests were then released from their seats while the two technicians bid them goodbye and resumed their search for the misplaced Clench. On the way out, guests could see the sign "What a Way to Go" and were wished "a nice tomorrow" and exited into Merchant of Venus.

Special effects
Unlike most other Disney attractions, much of Alien Encounter took place in total darkness while the attraction operated on the guests' non-visual senses. Most of the effects came from individual units mounted on the shoulder restraints behind audience members' heads. The most common effects were binaural cues which came from the highly separated speakers arranged next to each ear. These speakers bolstered many of the other effects with foley, creating unique effects like positional audio from the monster, and created general atmospherics to keep the audience tense, including the murmuring and screams of other audience members, pink noise, and heartbeats. The theater's circular design allowed these positional audio effects to be particularly effective, as it prevented individual guests from perceiving that their experiences were not unique.

Binaural sound effects and moving shoulder restraints suggest that the alien is moving through the chamber above the audience. When the alien was meant to be traveling on the far side of the room, "several banks of 1,800-watt-per-channel servo-driven subwoofers" repurposed from the previous attraction, Mission to Mars, and transducers mounted in the seats made pounding vibrations meant to simulate the footsteps of a powerful monster. Warm moistened air was used gently, to simulate the alien breathing down your neck; and forcefully, to induce a more acute reaction from the audience. Water sprinklers and air blasters mounted in the row in front (like the ones used in Disney's "4D" movie theaters) were used to simulate the dripping of either the creature's drool or blood from an attacked worker in the scaffolding above the theater (played by a cast member carrying a flashlight using pre-recorded dialog) and to simulate the explosion of the monster in the finale when the blast shield does not close in time. Soft textile tubes had air blown through them, causing them to slap against the back of the head of the audience member. This was the most direct physical effect, used in conjunction with the hot air blowers and olfactory emitters to suggest the alien's tongue was licking the audience member's head.

During lighted segments, the show used lasers, rear-projected screens repurposed from the previous attraction, Mission to Mars, and Audio-Animatronics for the alien, S.I.R., and Skippy (both normal and deformed). During the attraction's final weeks in 2000, it was professionally filmed for a souvenir VHS and DVD, which could be purchased in various gift shops as well as online. It is still available to purchase today.

Disneyland
Alien Encounter was proposed for Disneyland for the project "Tomorrowland 2055," as part of the "Disney Decade," started by Michael Eisner. It was to be installed in the space that housed the attraction Mission to Mars. Also proposed to join "Tomorrowland 2055" were The Timekeeper, which was to take over Circlevision 360, and also Plectu's Fantastic Intergalactic Revue, a musical revue which was to land where America Sings once was located. Due to budget cuts from the Disneyland Paris opening, "Tomorrowland 2055" was scrapped.[citation needed]

Original concept
Ironically the ride that would replace ExtraTERRORestrial Encounter, Alien: Terror Incarnate was actually the original idea for the attraction itself. The original name for this attraction was Nostromo, a reference to the spacecraft from the 1979 movie Alien. Furthermore, the monster was planned to be the titular creature, and X-S Tech was going to be the Weyland-Yutani Corporation. This idea was scrapped for two reasons: first, it was deemed too frightening for a Disney attraction. Second, the Alien series were rated R. This contradicted a rule-of-thumb that Disney attractions are supposed to be based on either G or PG. (However, Disney has since developed attractions from franchises that host at least one PG-13 rated film, such as Pirates of the Caribbean, Star Wars, Indiana Jones, Marvel, and Avatar.) As a result, the name Nostromo was taken out entirely and an original monster was created for the ride and the fictional company was changed to X-S Tech. Nevertheless, Disney had acquired the rights to use Alien, and thusly used it in The Great Movie Ride at Disney's Hollywood Studios, which featured a scene aboard the Nostromo where a frightened Ripley hides behind a wall while the Xenomorph pops out of the walls and ceiling to growl at the audience.

As an original story was developed, George Lucas was brought in to work on the project. This version's storyline had X-S Tech's open house being a front for exposing human guinea pigs to an alien monster they had captured. After the alien menaces the audience for a moment, it is revealed to be sentient and desires to escape its captors and free the guests as well. The X-S scientists respond by trying to destroy the test chamber and leave no evidence, but the alien holds off their weaponry, raises the restraints allowing the guests to escape. While leaving, the sounds of the alien rampaging through the pre-show facilities could be heard. The story's grim tone would lead to it being further re-worked.

Cast
Tyra Banks played the female alien who greets guests in the first preshow video, although her lines were voiced by another actress. Tim Curry voiced the Audio-Animatronic robot S.I.R. (Simulated Intelligence Robotics) in the second preshow area. In the original version, the character was named T.O.M. 2000, was voiced by Phil Hartman, and had a much more humorous script. Chairman L.C. Clench was portrayed by actor Jeffrey Jones. Dr. Femus is portrayed by actress Kathy Najimy, with Kevin Pollak playing her partner, Spinlock.

Other versions
A game within the DisneyQuest indoor interactive arcade at the Walt Disney World Resort called ''Invasion! An ExtraTERRORestrial Alien Encounter'' featured some of the X-S Tech mythology, with Chairman Clench offering XS-Tech produced walker vehicles to help rescue a group of colonists, although its game play bore no resemblance to the Tomorrowland attraction.

References in other attractions

 * The futuristic SMTV footage that was once used in the queue lines for both Space Mountain at the Magic Kingdom and Space Mountain at Disneyland featured references to X-S Tech.